Eat Your Young

Solid Gold

Eat Your Young
Eat Your Young is the second full-length album from Minneapolis-based electro-rock band Solid Gold. It's a slow-burning set of skittish synths, glassy beats, ripple effect riffs, and melancholic melodies that leave you wondering what left a trail of scar tissue deep within the group’s core trio (frontman Zack Coulter and multi-instrumentalists Matthew Locher and Adam Hurlburt).

Only it’s not that simple, not as easy as reducing a record to a series of bad relationships and broken hearts. Depending on who you ask, Eat Your Young is inspired by everything from lucid dreams to existential dread to the way we often wander through life in a catatonic state. And yet, it’s not a hopeless listen; more like an album that maintains its mood for 40 minutes and leaves an impression as deeply ingrained in your subconscious as the nostalgia-triggering memories that earned saudade its own national holiday in Brazil.

“We’ve never been motivated by making records,” explains Locher. “We’re driven by making something beautiful—capturing a moment in our lives that can translate to any place or time.”

That much is clear as Eat Your Young creeps across your speakers like a quiet storm, ebbing and flowing at every turn, from the exorcised demons of “The Pendulum” to the bookending outbursts of “Shock Notice” and “In the Hollows.” All of which sounds incredibly confident despite the record’s shades of darkness. That’s because Solid Gold spent years developing their musical and lyrical concepts, beginning with their smoky club formation at the University of Wisconsin—Locher and Coulter were in the same architecture class—and becoming much more of a serious pursuit once the group moved to Minneapolis and tracked their 2008 debut, Bodies of Water.

Eat Your Young brings to mind everything from the gleaming skyscrapers of Blade Runner to the dimly lit streets of a midnight drive. Or as Locher puts it, alluding to the band’s push and pull dynamics, “Dystopian futures, wrought with oppression and rich with struggle, just seem to fit our sound best.”